Archive for the ‘Readings/Performances’ Category

The Environment of the Classroom @ Center for Women Writers, Salem College, Winston-Salem, NC

September 22, 2017

21765786_1440583909362887_261417008017333640_oThanks to Metta Sáma & Center for Women Writers for organizing this conversation on the environment of identity politics in the college classroom! Excited to talk teaching with Ailish HopperPrageeta SharmaErica Chu & Gabriella Gutiérrez y Muhs @ 1p, tomorrow/Friday @ Gramley Library, Salem College in Winston-Salem, NC. Hope to see you if you’re in the area!

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Houston Brazos Bookstore Reading with Kimberly Alidio & John Pluecker, 7p, May 19!

May 19, 2017

Ching-In Chen’s ‘recombinant,’ Kimberly Alidio’s ‘after projects, the resound’ & John Pluecker’s ‘Ford Over’

Join us in celebrating the launch of Ching-In Chen’s new poetry collection, *recombinant* from Kelsey Street Press, alongside Kimberly Alidio’s *After projects the resound* from Black Radish and John Pluecker’s *Ford Over* from Noemi Press and a translation of Sara Uribe’s *Antígona González* from Les Figues Press.

KIMBERLY ALIDIO wrote *After projects the resound* (Black Radish, 2016) and *solitude being alien* (dancing girl press, 2013). She is the inaugural artist-in-residence at the Center for Art and Thought and a poetry fellow of Kundiman and VONA. She received fellowships from Naropa University’s Summer Writing Program and the University of Illinois’s Asian American Studies Program, as well as a doctorate in modern American history from the University of Michigan. A tenure-track dropout and high-school teacher, she hails from Baltimore and lives in East Austin, Texas.

CHING-IN CHEN is the author of *The Heart’s Traffic* (Arktoi Books) and *recombinant*(Kelsey Street Press) and co-editor of *The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities* (South End Press; AK Press) and *Here is a Pen: an Anthology of West Coast Kundiman Poets* (Achiote Press). A Kundiman, Lambda, Watering Hole and Callaloo Fellow, they are part of the Macondo and Voices of Our Nations Arts Foundation writing communities. A senior editor of *The Conversant,* they serve on the Executive Board of Thinking Its Presence: Race, Advocacy, and Solidarity in the Arts. They are an Assistant Professor in Poetry at Sam Houston State University and poetry editor of the *Texas Review.* www.chinginchen.com

JOHN PLUECKER is a writer, translator, interpreter, artist. He frequently collaborates with others, especially with artists, organizations and communities; one example is the language justice and literary experimentation collaborative Antena he co-founded with Jen Hofer in 2010. He has translated numerous books from the Spanish, including *Antígona González* (Les Figues Press, 2016) and *Tijuana Dreaming: Life and Art at the Global Border* (Duke University Press, 2012). His book of poetry and image, *Ford Over,* was released in 2016 from Noemi Press. He is a member of the Macondo Writing Workshop.

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Please note: BRAZOS BOOKSTORE has a wheelchair ramp and is wheelchair accessible. If you have other accessibility needs or need other accommodations, please call Brazos at (713) 523-0701.

book launch for ‘recombinant’ at Sam Houston State University in Huntsville today!

April 10, 2017

SHSU/Huntsville friendlies, hope you can join me for the Huntsville book launch for ‘recombinant’ today/Monday, 5:30p in Austin Hall! Thanks to SHSU CHSS Diversity & Inclusion Committee & SHSU LGBTQI* Faculty and Staff Network for co-sponsoring this event! This event is free and open to the public!

Here’s the Facebook event for more information:

recombinanthttps://www.facebook.com/events/1295381293871567/

Houston! “recombinant” reading and book signing

March 18, 2017

Saturday, March 18, 2017, 2-4p

MicroSpace Houston – 8119 Concho st, Houston, Texas 77036

Ching-In Chen will present a live reading of their newest book ‘recombinant’ along with a Q&A with the author, and a book signing. Copies of the book will be available for $15 (cash), $16.95 + tax (credit).

Donations for the artist and artspace graciously accepted. Concessions available for donation.

Please note: The venue has a few steps at the entryway and is not wheelchair accessible. If you have accessabilty needs please contact us and we will make accommodations. Microspacehouston@gmail.com

About ‘recombinant’:

Can a poetry seek to examine the erasure and reconstruction of a community history? Ching-In Chen’s ‘recombinant’ is a work of material critique, philosophically jarring in its use of syntax, sound, the erasures held in the stillness of its whitespace that again and again mimic a historical registry. Drafting and growing multiple discourses, this text urges the reader to investigate female and genderqueer lineages in the context of labor smuggling and trafficking. Its syntactical utterances create a music that is masterful in these poems’ fractured words and experimental representation of page and praxis. Voices from various communities interact with each other to create what Rajagopalan Radhakrishnan calls an assertion of diasporan realities where multi-directional, heterogeneous modes of representation challenge conventional representation via photographs; newspaper articles; maps; city directories; records of immigration, birth and death; as well as scholarly research and archaeological records. recombinant is a work of insistence, a refusal of erasure, a proof of shared memory through the rewriting and remixing of historical remnant.

Praise for ‘recombinant’:

The sweat of migrants, the starving bodies of impoverished workers, the they-children raised for export, the identification cards of the disobedient bodies with multiple names, the testimonies in interrogation rooms, the manufactured girl-bombs: the historical and linguistic presence, aliveness and residue of ancestral, immigrant lineages…in recombinant these entities are synthesized into brilliantly engineered narratives that chronicle the limits of what can be held at the borders we construct around our various identities, be they bodily, linguistic, national, occupational, familial, commercial….This is an intricate, careful, impression-making, impressive novel of a poem that necessarily exposes the secret testimonies and histories of the worlds among us that our larger world wishes us to never understand or see.

—Daniel Borzutzky

Promising “[n]o memory what I held in my mouth that bright morning,” Ching-In Chen’s recombinant undertakes the difficult work of witnessing without false promises of consolation or recognition. Accumulating and unsettling the cartographic records and rememorabilia of lives lived and lives lost to violence in this land that is always island, recombinant maps histories of Yellow Peril, race riots, and white slavery, the latter as imaginary alibi for the former, and opens out their interlock with and interlocution of anti-Black racisms, slaveries and lynchings and ongoing colonial genocides of Indigenous peoples.

How might a poem diagram destruction? What survives records or doesn’t, leaves traces, ledgers or ghosts’ marginalia? It is a bleak and beautiful summoning, one that discovers/inscribes a world anew in testifying to the destruction of this one.

—Trish Salah

Ching-In Chen’s recombinant is an innovative and powerful collection about genealogy, migration, survival, gender, memory, and ecology. The poems unearth and recombine fragments from museum artifacts, laws, census data, and historical archives with lyric reflections and open-heart composition strategies. By the end, you will feel haunted by the ghosts and ancestors who have continued their journey in the vessel of the poet’s tongue.

—Craig Santos Perez’

About Ching-In Chen:

‘Ching-In Chen is author of ‘The Heart’s Traffic’ (Arktoi Books/Red Hen Press) and ‘recombinant’ (Kelsey Street Press) and co-editor of ‘The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities’ (South End Press, AK Press) and ‘Here is A Pen: an Anthology of West Coast Kundiman Poets’ (Achiote Press). A Kundiman, Lambda, Watering Hole and Callaloo Fellow, they are part of the Macondo and Voices of Our Nations Arts Foundation writing communities, and have been a participant in Sharon Bridgforth’s Theatrical Jazz Institute. They have also been awarded fellowships from Can Serrat, Millay Colony for the Arts, the Norman Mailer Center and Imagining America. Their work has appeared in ‘The Best American Experimental Writing,’ ‘The &NOW Awards 3: The Best Innovative Writing,’ and ‘Troubling the Line: Trans and Genderqueer Poetry and Poetics.’ A senior editor of ‘The Conversant,’ they have also served on the Woodland Pattern board, Wisconsin Poet Laureate Commission and as editor-in-chief of cream city review. They are currently an Assistant Professor in Poetry at Sam Houston State University and Poetry Editor of the Texas Review. http://www.chinginchen.com

https://www.facebook.com/events/254045115053423/

Litanies to My Brown Heavenly Body (honoring Mark Aguhar)

March 12, 2017

Mark Aguhar

LAMBDA LITFEST LA 2017 (www.lambdalitfest.org) PRESENTS:
Poetics of Self [Re/De] Construction: Litanies to My Brown Heavenly Body (honoring Mark Aguhar)

In homage to Pilipinx trans, femme artist, Mark Aguhar, Poetics of Self [Re/De] Construction: Litanies to My Brown Heavenly Body, queer writers-of-color in this creative reading and panel will explore how our very bodies become litanies, invocations of our existence, our world-making possibilities as what Parreñas Shimizu calls “sites for imagining alternative realities.”

Curated by: Muriel Leung

Performers:

Chen Chen is the author of When I Grow Up I Want to Be a List of Further Possibilities, winner of the A. Poulin, Jr. Poetry Prize and forthcoming spring 2017 from BOA Editions, Ltd. Chen’s work has appeared in two chapbooks and in publications such as Poetry, Gulf Coast, Buzzfeed, and The Best American Poetry. He has received fellowships from Kundiman, Lambda Literary, and the Saltonstall Foundation. Currently, he is pursuing a PhD in English and Creative Writing at Texas Tech University. For more, visit chenchenwrites.com.

Vanessa Angélica Villarreal is a poet, essayist, and artist born in the borderlands in McAllen, Texas. Her poems have appeared in PBS Newshour, Waxwing, Caketrain, DIAGRAM, DREGINALD, The Feminist Wire, The Western Humanities Review, The Poetry Foundation Harriet Blog, and elsewhere. Most recently, she has served as an editor for the Bettering American Poetry project. She is a CantoMundo Fellow and her book, BEAST MERIDIAN, was a finalist at Nightboat, FuturePoem, Saturnalia, and Willow Books, and is forthcoming from Noemi Press in early 2017. She currently lives and works in Los Angeles, and her hometown is Houston, Texas.

Ching-In Chen is the author of The Heart’s Traffic (Arktoi/Red Hen Press, 2009) and recombinant (Kelsey Street Press, 2017) as well as the co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities (South End Press, 2011; AK Press, 2016) and Here Is a Pen: an Anthology of West Coast Kundiman Poets (Achiote Press, 2009). A Kundiman, Lambda and Callaloo Fellow, they are part of the Macondo and Voices of Our Nations Arts Foundation writing communities. They have also been awarded fellowships from Can Serrat, Millay Colony for the Arts, the Norman Mailer Center and Imagining America. They serve on the Executive Board of Thinking Its Presence: Race, Advocacy, Solidarity in the Arts as the Director of Membership and Social Media and are a senior editor for The Conversant. Currently, they teach poetry at Sam Houston State University as an Assistant Professor in the English department.www.chinginchen.com

Kazumi Chin is the author of Having a Coke with Godzilla (Sibling Rivalry Press, 2017). His work has appeared in GlitterMob, HEArt, Split This Rock’s Poem of the Week series, and elsewhere. His blog, GODZILIANA H8S UR COLONIAL BS can be found at kazumichin.wordpress.com. When he grows up, he wants to be Ariana Grande.

Michelle Lin is the author of A House Made of Water (Sibling Rivalry Press, 2017). Her latest poems can be found in HEArt, Apogee, Powder Keg Magazine, and more. She has taught for the LEAPS summer program, Gluck Fellows Program for the Arts, Young Writer’s Institute, and the University of Pittsburgh. She has performed for Kearny Street Workshop’s APAture, grlhood–redefining the I // here I am, Litquake, and more. A former editor for journals Hot Metal Bridge, B.E. Quarterly, and Mosaic, she currently serves as Poetry Reader for Twelfth House Journal.

Kimberly Alidio wrote After projects the resound (Black Radish, 2016) and solitude being alien (dancing girl press, 2013). She is the inaugural artist-in-residence at the Center for Art and Thought and a poetry fellow of Kundiman and VONA. She received fellowships from Naropa University’s Summer Writing Program and the University of Illinois’s Asian American Studies Program, as well as a doctorate in modern American history from the University of Michigan. A tenure-track dropout and high-school teacher, she hails from Baltimore and lives in East Austin, Texas.

Born in Iloilo City, Philippines, Angela Peñaredondo is a Pilipinx/Pin@y poet and artist. Peñaredondo is the author of the chapbook, Maroon (Jamii Publications) and the book, All Things Lose Thousands of Times (winner of the Hillary Gravendyk Regional Poetry Prize, Inlandia Institute). Her work has appeared or is forthcoming in Drunken Boat, AAWW’s The Margins, Four Way Review, Cream City Review and elsewhere. Angela resides in Southern California, drifting between deserts, beaches, lowly cities and socially engineered suburbs.

Nicknamed “small but terrible” by her lola, Melissa R. Sipin was born and raised in Carson, CA. She co-edited Kuwento: Lost Things (Carayan Press 2014) and is Editor-in-Chief of TAYO Literary Magazine. Her work is in Guernica Magazine, Black Warrior Review, and PEN American Center, among others. Her fiction has won Glimmer Train’s Fiction Open and the Washington Square Review’s Flash Fiction Prize, as well as scholarships/fellowships from The MacDowell Colony, Poets & Writers Inc., Kundiman, VONA/Voices Writers’ Workshop, Squaw Valley’s Community of Writers, and the Sewanee Writers’ Conference. She is hard at work on a novel, is obsessed with yellow mangoes and ordering Chinese delivery when she’s finally found a home. More at: msipin.com

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Now more than ever, our stories matter. Don’t miss #LambdaLitFest Los Angeles, a FREE, weeklong literary festival that celebrates and honors and expands on the rich, diverse tradition of LGBTQ writers and readers in the Southland. Register now: http://bit.ly/2kqiIRi

https://www.facebook.com/events/1847207122185987/

{NYC] Process Talk at Asian American Writers’ Workshop: Jaswinder Bolina, Ching-In Chen, Bich Minh Nguyen, & Timothy Yu Tonight!

June 20, 2016

Monday, June 20, 7-9pm

Asian American Writers’ Workshop (110-112 W 27th Street, Suite 600)

Come through for our first installment of Process Talks—a salon-style multimedia show-n-tell—where innovative poets and novelists will screen the images that have been haunting their writing and discuss their writing process. We’re featuring award-winning poets Jaswinder Bolina, Ching-In Chen, Timothy Yu, and novelist Bich Minh Nguyen, all four of whom join us in a rare visit from out of town.

Poet Jaswinder Bolina is author of Phantom Camera (winner of the 2012 Green Rose Prize in Poetry from New Issues Press) and Carrier Wave (winner of the 2006 Colorado Prize for Poetry from the Center for Literary Publishing at Colorado State University). His work has been published in The Best American Poetry series, as well as The Poetry Foundation, The State, and Himal Southasian. He currently teaches on the faculty of the M.F.A. Program in Creative Writing at the University of Miami.

A genderqueer, multi-genre writer Ching-In Chen is the author of The Heart’s Traffic (Arktoi/Red Hen Press, 2009). A Kundiman, Lambda, and Callaloo Fellow, they are a community organizer who has worked in Asian American communities in San Francisco, Oakland, Riverside and Boston, and co-organized the third national Asian Pacific American Spoken Word and Poetry Summit in Boston. Chen is also the co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities (South End Press, 2011) and Here Is a Pen: an Anthology of West Coast Kundiman Poets (Achiote Press, 2009). Check out Hana Maruyama writing about Ching-In’s explorations of the zuihitsu in The Margins.

Director of the Asian American Studies Program at UW-Madison, Timothy Yu is the author of 100 Chinese Silences, the editor’s selection in the Les Figues Press NOS Book Contest, and of Race and the Avant-Garde: Experimental and Asian American Poetry since 1965 (Stanford), winner of the Book Award in Literary Studies from the Association for Asian American Studies. Check out two of his poems in The Margins.

Bich Minh Nguyen is the author of three books: Short Girls, a novel, which won an American Book Award winner in fiction and a Library Journal best book of the year; Stealing Buddha’s Dinner, a memoir, received the PEN/Jerard Award from the PEN American Center and was a Chicago Tribune Best Book of the Year, as well as a finalist for AAWW’s own Asian American Literary Award. Her newest novel is Pioneer Girl, a literary mystery about a second-generation Vietnamese daughter and her family and their ties to The Little House on the Prairie.

https://www.facebook.com/events/1721633431433050/

Miami! Asian American Studies conference: Get Lit offsite reading + Asian American Poets Encounter the South

April 29, 2016

Dear lovelies,

I’ll be at the Association of Asian American Studies in Miami for these two events:

Get Lit in Miami!

Friday, April 29, 7-9p, The Cafe at Books and Books, Adrienne Arsht Center, 1300 Biscayne Blvd., Miami, FL 33132

You are cordially invited to an Association of Asian American Studies Conference offsite literary reading (with happy hour!), co-curated by Kundiman, Kaya, and the Asian American Literary Review.

Readers include: Cathy Linh Che, Ed Lin, Naomi Hirahara, Lawrence Minh-Bui Davis, Timothy Yu & Ching-In Chen

Note: There are several locations for Books & Books. This reading is at the location within a five-minute walk from the AAAS conference site.

https://www.facebook.com/events/1617836258541811/

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Sunday, April 30, 1:15-2:45p, Concierto Ballroom C

AAAS panel: Self-Articulation and Solidarity: Asian American Poets Encounter the South

Panelists: Vidhu Aggarwal, Marci Calabretta Cancio-Bello, Ching-In Chen, Shamala Gallagher, Sarah Gambito

To live in the American South requires finding a way to understand oneself against a history of structural racial violence: to conceptualize oneself, implicitly or explicitly, in relation to the powerful black/white narrative of slavery, Jim Crow laws, and Civil Rights. Perhaps more than any other American region, the South is constituted in national and global cultural imaginaries by a story about race. In this story, Asian American subject positions are largely muted. To be an Asian American poet in the South, then, is to confront a master narrative in which one’s own subject position has no place; it is to insert oneself into this story as a rogue element, a destabilizing and complexifying force. Just as Asian Americans have been figured as outsiders in this country, the Asian American poetic utterance occurs at the margins of the Southern racial story, seeking to deepen and transform it from there.

In this formally hybrid panel—half poetry reading, half critical dialogue—the poets of Kundiman, an Asian American poetry collective, will speak to questions of what it could mean to be Asian American in the South. We will read poems that address Southern geographies—cultural, emotional, economic, ecological, visual—in order to offer visions toward a fuller and more nuanced understanding of Southern racial terrain. In this endeavor, we seek not to displace or downplay the intense realities of black Southern subjugation and liberation: instead, in claiming our presence in Southern space, we strive toward a self-articulation that is simultaneous with a multifaceted solidarity. Speaking from a multiplicity of Asian American subject positions, we will explore possibilities for connection with the heterogeneous communities of color living in the South—examining, for example, Asian American relationships to settler colonialism and indigenous rights as well as to questions of Latin American migration and border politics. In reaching across the critical/creative divide, this panel formally echoes the complicated and innovative work of boundary-crossing that Asian Americans must undertake in order to write ourselves into the Southern story.

Sam Houston State University MFA reading + Conversant

November 11, 2015

Happy to be reading Wednesday, Nov. 11 at 5 p.m. in Sam Houston State University’s Peabody Memorial Library (adjacent to Austin Hall) as part of the MFA program’s on-going reading series.  http://www.shsu.edu/today@sam/T@S/article/2015/chen-reading

 

Also, if you haven’t checked out the recent issue of The Conversant, November’s issue features Brian Teare with Christy Davids; Rosebud Ben-Oni with Matthew Salesses on his new book, The Hundred-Year Flood; Stacy Szymaszek with Matt Longabucco; Lynarra Featherly with Stacey Tran and Travis Meyer of Poor Claudia; Jane Joritz-Nakagawa with Bill Berkson; my interview with Maria Miranda Maloney of Mouthfeel Press; Mathew Timmons & Ben White’s The People: Episode 32 with Kristin Cammermeyer & Claire Rifelj; Andy Fitch’s interview with Nightboat author Andrew Durbin. Check it out at http://theconversant.org/

Failure to Identify Poetry Patio Party with María Miranda Maloney & new issues of The Conversant

September 5, 2015

Dear friendlies,

I finished my PhD! And moved to Houston, Texas to teach poetry and literature at Sam Houston State University in Huntsville, Texas.  Lovelies and local artists/writers John Pluecker & Jorge Galván Flores are hosting a poetry patio party for myself and another writer newly moved to the area.  Info below.

And The Conversant is fully up and running after a summer hiatus.

Check out our most recent issues at http://www.theconversant.org/:

September’s issue of The Conversant is live! This month’s conversations include Freesia McKee with Anja Notanja Sieger & La Prosette on typewriting performance; Open House presents: Housten Donham with Fred Moten; Rosebud Ben-Oni with CantoMundo poets Diego Báez, Darrel Alejandro Holnes, J. Michael Martinez, Juan Morales and Octavio Quintanilla on {Power} Ballads; Andy Fitch with John Sakkis as part of an oral history of Nightboat Books; Mathew Timmons and Ben White’s The People with Troll Thread; Randall James Tyrone with Dan Beachy-Quick on his Essay Press book, A Quiet Book; That’s My Tattoo: a poetics conversation with Elisa Gabbert and Chris Tonelli, and Vernacular Visions: Brandon Freels with Justin Clifford Rhody.

August’s issue features conversations & interviews with Grace Shuyi Liew with Ginger Ko on feminist poetics, the poetry community’s sexism & Coconut Book’s recent hiatus; Laynie Browne & Julie Carr on their Essay Press chapbooks; The People’s Mathew Timmons & Ben White with Tom Comitta & Suzanne Stein; Rosebud Ben-Oni with JP Howard as part of Intersecting Lineages; Open House presents Madison Davis with Brittany Bill-Meyer Finn; Brandon Som with KAYA Press author Nicholas Wong; Jim Goar with Andre Baggoo; Andy Fitch with Nightboat author Daniel Borzutzky; Philip Metres with Stepan Brand; & Maria Anderson with Jennifer Kwon Dobbs on her Essay Press book.

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Failure to Identify Poetry Patio Party: María Miranda Maloney & Ching-In Chen

Saturday September 5, 2015
7:30pm
Back Patio of Jorge and JP’s House, Houston TX (since this is a private residence, I’m not going to publicly post their home address — but send an e-mail to chinginchen [at] gmail.com, if you’re interested in coming and don’t know the address)

María Miranda Maloney & Ching-In Chen have just moved to our beloved alligator-infested, petrochemical-infused, swampy Texas Gulf Coast bayoulands. The days are a little shorter, but the summer sun is still burning the banana leaves. Come out and meet María and Ching-In, welcome them to the area and hear their amazing poetry.

We’ll be with the philodendrons, the castor bean tree, and the aloe veras on the back patio of our home for this event. It’s BYOB. Feel free to bring a drink or a snack or an extra chair. Feel free to bring friends and invite other people, but it’s our house so make sure they’re sweet.

And we’d love if you’d stick around and chat and hang out afterward. Let’s have some fun together. Not another Houston art-and-run event. Pull up a chair and stick around a while.

More info on the poets:

Maria Miranda Maloney is the founder of Mouthfeel Press and author of The Lost Letters of Mileva. She is the educational outreach organizer for the Smithsonian Latino Virtual Museum. She is the current poetry editor for BorderSenses. Maloney has an MFA in Bilingual Creative Writing from UT El Paso.

Ching-In Chen (www.chinginchen.com) is author of The Heart’s Traffic and co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities. A Kundiman, Lambda and Callaloo Fellow, they are part of Macondo and Voices of Our Nations Arts Foundation writing communities, and have been a participant in Sharon Bridgforth’s Theatrical Jazz Institute. They are senior editor of The Conversant and have served on the Woodland Pattern board, Wisconsin Poet Laureate Commission and as editor-in-chief of cream city review.

More info on the Failure to Identify Series (from JP):

This is the ninth event of an Occasional, Itinerant, Sporadic, Vagabond, Versatile, Irregular, Incidental, Intermittent, Roundabout, Accidental, Stray, Raro, Combustible series of arts & writing events. For the moment, the series is called Failure to Identify.

Since May 2012, I’ve been experimenting with creating spaces for innovative, interdisciplinary & risk-taking writers & artists to perform for Houston publics. Usually these events feature writers from out-of-town, though sometimes with local folks too. Sometimes the work pushes at the boundaries of the “reading” format. Since there is no institutional or academic funding (and I have no desire to institutionalize or non-profitize anything), the series has no fixed schedule and is super-occasional and super-dependent on happy coincidences and friendly, willing participants. Events have been held on the back patio of Kaboom Books or at other times in conjunction with local organizations like Art League, Project Row Houses, Fotofest and more. This will be the first time we have the party at home. Previous events have included:

May 2012: Let the Ponies Have Plenty of Room
June 2012: Jen Hofer & Javier Huerta
August 2012: Janice Lee & Anna Joy Springer
September 2012: TC Tolbert & Boston Davis Bostian
November 2012: Douglas Kearney
January 2013: Marco Antonio Huerta, Minerva Reynosa, Sara Uribe, and Lupe Méndez
March 2013: Rosebud Ben-Oni and Stalina Villarreal
March 2014: The Gender Book, Madsen Minax & CA Conrad

(Note to the note: As mentioned above, this series is now called Failure to Identify. It’s a crime in the U.S. to not identify yourself and it seems like somehow the work featured in this series has navigated the treacherous waters of (dis)identification, refusal and failure. The series was unnamed for a long time, but now I am liking this name more and more. It seems big and spacious and un-identifiable. In the past, I have given priority to just organizing the events, rather than naming what these events are. However, I have contemplated numerous names: Unzoned, Unnamed, As-Yet-Unnamed-But-Really-Quite-Lovely, before tentatively settling on this one: Failure to Identify.)

AWP: where you’ll find Ching-In (LitinColor, cream city review, VONA)

April 8, 2015

Dear friendlies attending AWP &/or in Minneapolis,Where I’ll be for the next few days:

Thursday, April 9:

11:15-11:30a Reading for #LitinColor brought to you by Tia Chucha Press, Writ Large Press and KAYA Press — and all about celebrating Writers of Color at Booth 1711 in the Bookfair, alongside many fabulous authors & editors!  Check out for the full schedule & more info: http://kaya.com/2015/04/lit-color-celebrating-writers-color/And send a #LitinColor postcard to anyone you want with the name of your favorite Writer of Color, postage on us!

4:15-5p At the cream city review table at the Bookfair (126)!  Come get special subscription & issue deals & other fun goodies!

Friday, April 10:

9-10:15 At the cream city review table (126)!  Come get special subscription & issue deals & other fun goodies!

12-1:15 p cream city review Celebrates Returning the Gift Native American Writers.
Room M100 H&I, Mezzanine Level. (Kimberly Blaeser, Janet McAdams, Margaret Noodin, Laura Tohe, b: william bearhart)

In 1992, 500 years after Columbus, more than 300 Native American writers gathered at the first Returning the Gift Festival, bringing together more Native writers than at any other point in history. cream city review celebrated the legacy of this now annual gathering with a special issue entitled “Returning the Gift: Indigenous Futures.” Please join us for our Gathering of Words with a poetry and fiction reading from emerging and established Native American writers published in this issue.  We’ll have Returning the Gift issues at the panel & at the cream city review table (126)

https://www.facebook.com/events/1433771953582670/

7-9pm cream city review, with Devil’s Lake and Linebreak Off-site reading

612Brew – 945 Broadway St, NE, Minneapolis, MN 55413

Kimberly Blaeser, Lo Kwa Mei-En, Rickey Laurentis, Solmaz Sharif, Corey Van Landingham, Ocean Vuong

https://www.facebook.com/events/1596743807210557/

Saturday, April 11:

9-10:15am  At the cream city review table (126)!  Come get special subscription & issue deals & other fun goodies!

12-2pm At the Voices of Our Nations Arts Foundation Table #1107.  Come visit us to learn about this multi-genre writing workshop for writers of color!

2:45-4:15pm  At the cream city review table (126)!  Come get special subscription & issue deals & other fun goodies!

8pm Reading as part of the Voices of Our Nations Arts Foundation/Generation One reading Saturday night, April 11 at The Loft (1011 Washington Ave, Minneapolis), 8pm with Elmaz Abinader, Faith Adele, Jennifer Derilo, Jeffrey Renard Allen, Grace Lee, M. Evelina Galang, Melissa Sipin, Minal Hajratwala, Tanuja Jagernauth, David Mura, Vanessa Martir, Achy Obejas & Charles Rice Gonzalez.

https://www.facebook.com/events/1386888778282629/