Join Soham Patel, Carina Gia & me for a collaborative, improvised performance focused around this question: “can we migrate from our fates?” This takes place during &NOW 2015 Blast Radius conference @ CalArts (F200), this Friday, March 27, 2:30-3:45pm!
& Those Who Don’t Survive?
“The waste of ourselves: so much meat thrown at the feet of madness or fate or the state.” – Gloria Anzaldua
Can we migrate from our fates? As descendants of liminal communities, we practice diasporic poetics. Can such improvised, junked and scrapped histories be archived? Using these questions as prism and seed, our collaboration will be informed by our creative and scholarly pursuits. It will traverse multiple threads, such as transgenerational trauma, fragmented historical narratives as well as notions of exile, ghosts and monstrosity. We plan to amass, dismantle and disperse scraps of our (un)recorded histories in the cities (neighborhoods, seas, streets) we inhabit, and in the various cities and non-cities invoked as memories, monsters or ghosts. Additionally, we will consider relevant historical texts as well as other re-presentations of historical events, including absent, unwritten, overheard narratives and (ir)retrievable re-collections. Our project will be comprised of a multi-media installation and culminate in a collaborative performance. As a part of the &Now conference, we will choreograph part choral intervention, part carefully calibrated improvisation with a focus on collecting histories with whoever is in the room, (however temporarily) in exile from their lives. It is our intention to engage the audience in a structured improvisational score in order to create a communal text, illuminating refractions and investigating mutuality within the collaborative process.
Ching-In Chen is author of The Heart’s Traffic and co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities. A Kundiman, Lambda and Callaloo Fellow, they are part of Macondo and Voices of Our Nations Arts Foundation writing communities, and was a participant in Sharon Bridgforth’s Theatrical Jazz Institute. They have been awarded fellowships and residencies from Soul Mountain Retreat, Ragdale Foundation, Virginia Center for the Creative Arts, Millay Colony, and the Norman Mailer Center. A community organizer, they have worked in the Asian American communities of San Francisco, Oakland, Riverside and Boston. In Milwaukee, they are cream city review’s editor-in-chief, senior editor of The Conversant, and serve on the board of Woodland Pattern.
Soham Patel is a Kundiman fellow. Two of her chapbooks, and nevermind the storm (Portable Press at Yo-Yo Labs), and Riva: A Chapter (kitchen-shy press) came out in 2013. Her work has been featured at Fact-Simile Editions, Copper Nickel, Denver Quarterly and various other places. She is currently a PhD Candidate in Creative Writing at the University of Wisconsin in Milwaukee.
Carina Gia Farrero, writer and interdisciplinary performer, is a PhD student in Creative Writing at the University of Wisconsin in Milwaukee, and holds an MFA from the School of the Art Institute of Chicago. She was a co-founding member of the dance/theater company The Turnbuckles and the poetry-collective Poetry for the People, and a member of the performance-collective, Sister Spit. One of her plays was produced as part of Performing Arts Chicago, and her work has appeared in Verse Daily, Windy City Queer: LGBTQ Dispatches from the Third Coast, Arsenic Lobster, The Encyclopedia Project and elsewhere. In 2008, two of her poems were nominated for the Pushcart Prize. When she’s not writing, she’s collecting strays from the side of the road.
This takes place during &NOW 2015 Blast Radius conference @ CalArts. More info about the conference here: